Comments for I Can See The Future http://requiemofthought.wordpress.com The deepest secrets of the Eye and its beholder Wed, 22 Jul 2009 17:55:42 +0000 http://wordpress.com/ hourly 1 Comment on Taare Zameen Par-Poetic Excellence by shakila http://requiemofthought.wordpress.com/2008/01/01/taare-zameen-par-poetic-excellence/#comment-45 shakila Wed, 22 Jul 2009 17:55:42 +0000 http://requiemofthought.wordpress.com/2008/01/01/taare-zameen-par-poetic-excellence/#comment-45 I am studying this movie for a Masrers in Apllied Languages. I need the script to analyse specifically contexts for which English is used. Can anyone help. Thanks I am studying this movie for a Masrers in Apllied Languages. I need the script to analyse specifically contexts for which English is used. Can anyone help.
Thanks

]]> Comment on Taare Zameen Par-Poetic Excellence by shakila http://requiemofthought.wordpress.com/2008/01/01/taare-zameen-par-poetic-excellence/#comment-44 shakila Sat, 27 Jun 2009 21:48:34 +0000 http://requiemofthought.wordpress.com/2008/01/01/taare-zameen-par-poetic-excellence/#comment-44 I am studying this movie and need the Script. I am studying this movie and need the Script.

]]> Comment on Ghajini-Questioning Your Intelligence by srinivas http://requiemofthought.wordpress.com/2008/12/29/ghajini-questioning-your-intelligence/#comment-42 srinivas Tue, 31 Mar 2009 14:22:26 +0000 http://requiemofthought.wordpress.com/?p=109#comment-42 send send

]]> Comment on Ye Duniya Agar Mil Bhi Jaye To Kya Hai by Soubhik Deb http://requiemofthought.wordpress.com/2008/07/08/ye-duniya-agar-mil-bhi-jaye-to-kya-hai/#comment-41 Soubhik Deb Mon, 23 Mar 2009 09:15:22 +0000 http://requiemofthought.wordpress.com/?p=44#comment-41 WHAT A SONG !! WHAT A SONG !!

]]> Comment on What It Takes To Be An Atheist by Gopal Krishan http://requiemofthought.wordpress.com/2008/01/26/what-it-takes-to-be-an-atheist/#comment-39 Gopal Krishan Sun, 11 Jan 2009 10:17:35 +0000 http://requiemofthought.wordpress.com/?p=15#comment-39 Bhagat Singh is an immortial revolutionary and his ideas are also immortial. An atheist Bhagat Singh is a great young revolutionary leader of prolitariat -class. An atheist Bhagat Singh is never saying he is a Super man ,so he told himself an atheist. He gives the facts and proove that why he is an atheist. Martyr Bhagat Singh fight for the Inter national working-class.his favourate slogan is INQULAB-ZINDABAD.Meaning of INQULAB is expolation less nation. And this slogan is fulfilled in socialism.So we have work for the socialism and expolation less society.If we want to pay homage for martyrs. Bhagat Singh is an immortial revolutionary and his ideas are also immortial. An atheist Bhagat Singh is a great young revolutionary leader of prolitariat -class.
An atheist Bhagat Singh is never saying he is a Super man ,so he told himself an atheist. He gives the facts and proove that why he is an atheist.
Martyr Bhagat Singh fight for the Inter national working-class.his favourate slogan is INQULAB-ZINDABAD.Meaning of INQULAB is expolation less nation. And this slogan is fulfilled in socialism.So we have work for the socialism and expolation less society.If we want to pay homage for martyrs.

]]> Comment on Aamir-The Chosen One by 9winds http://requiemofthought.wordpress.com/2008/06/24/aamir-the-chosen-one/#comment-38 9winds Tue, 09 Dec 2008 12:31:35 +0000 http://requiemofthought.wordpress.com/?p=30#comment-38 Dev D is a modern-day love story. Dev, Paro and Chanda of Dev D reflect the sensibilities, conflicts, aggression, independence, free thought, exuberance and recklessness of the youth of today. A generation that is jammed between eastern roots and western sensibilities. Dev D is set in the rustic and colourful Punjab and also explores the dingy, morbid, dark underbelly of Delhi. It takes us from sprawling mustard fields to a riot of neon; from Punjabi ballads to mayhem in rock. The film stars Abhay Deol as Dev, Mahi Gill as Paro & Kalki as Chanda. It's been written and directed by Anurag Kashyap and produced by UTV Spotboy. To know more log onto www.devdthefilm.com Dev D is a modern-day love story. Dev, Paro and Chanda of Dev D reflect the sensibilities, conflicts, aggression, independence, free thought, exuberance and recklessness of the youth of today. A generation that is jammed between eastern roots and western sensibilities.
Dev D is set in the rustic and colourful Punjab and also explores the dingy, morbid, dark underbelly of Delhi. It takes us from sprawling mustard fields to a riot of neon; from Punjabi ballads to mayhem in rock.
The film stars Abhay Deol as Dev, Mahi Gill as Paro & Kalki as Chanda.
It’s been written and directed by Anurag Kashyap and produced by UTV Spotboy.
To know more log onto http://www.devdthefilm.com

]]> Comment on Dev.D:Theatrical Trailer-Tera Emotional Atyachar by 9winds http://requiemofthought.wordpress.com/2008/11/05/devdtheatrical-trailer-tera-emotional-atyachar/#comment-37 9winds Tue, 09 Dec 2008 12:30:10 +0000 http://requiemofthought.wordpress.com/?p=87#comment-37 Dev D is a modern-day love story. Dev, Paro and Chanda of Dev D reflect the sensibilities, conflicts, aggression, independence, free thought, exuberance and recklessness of the youth of today. A generation that is jammed between eastern roots and western sensibilities. Dev D is set in the rustic and colourful Punjab and also explores the dingy, morbid, dark underbelly of Delhi. It takes us from sprawling mustard fields to a riot of neon; from Punjabi ballads to mayhem in rock. The film stars Abhay Deol as Dev, Mahi Gill as Paro & Kalki as Chanda. It's been written and directed by Anurag Kashyap and produced by UTV Spotboy. To know more log onto www.devdthefilm.com Dev D is a modern-day love story. Dev, Paro and Chanda of Dev D reflect the sensibilities, conflicts, aggression, independence, free thought, exuberance and recklessness of the youth of today. A generation that is jammed between eastern roots and western sensibilities.
Dev D is set in the rustic and colourful Punjab and also explores the dingy, morbid, dark underbelly of Delhi. It takes us from sprawling mustard fields to a riot of neon; from Punjabi ballads to mayhem in rock.
The film stars Abhay Deol as Dev, Mahi Gill as Paro & Kalki as Chanda.
It’s been written and directed by Anurag Kashyap and produced by UTV Spotboy.
To know more log onto http://www.devdthefilm.com

]]> Comment on Golden Corridors and Stone Walls by requiemofthought http://requiemofthought.wordpress.com/2008/06/28/golden-corridors-and-stone-walls/#comment-33 requiemofthought Sun, 26 Oct 2008 18:31:52 +0000 http://requiemofthought.wordpress.com/?p=35#comment-33 Thanx Pannel for your honest opinion Thanx Pannel for your honest opinion

]]> Comment on Golden Corridors and Stone Walls by Pannel http://requiemofthought.wordpress.com/2008/06/28/golden-corridors-and-stone-walls/#comment-32 Pannel Fri, 10 Oct 2008 12:01:56 +0000 http://requiemofthought.wordpress.com/?p=35#comment-32 nothing exceptional nothing exceptional

]]> Comment on Taare Zameen Par-Poetic Excellence by Bellari http://requiemofthought.wordpress.com/2008/01/01/taare-zameen-par-poetic-excellence/#comment-31 Bellari Sun, 21 Sep 2008 20:40:14 +0000 http://requiemofthought.wordpress.com/2008/01/01/taare-zameen-par-poetic-excellence/#comment-31 Well to comment on a debut is usually so easy. There was a stage in bollywood where people even if they post letters or rather directions to the director they wont take a good film and to see it grow from that gutter of masala's to the shade of class is truly commentable. But the highly commentable fact is that these changes were not brought by the existing directors who with their typical bollywood themes disagree to get out of chairs, but by the new comers. New comers in the field of direction is an essential movement that should be charged on. Both the films, Amir and Tare Zameen Par, show the content of classy film making which typical bollywood lack. Though amir is not a new comer in the field of film industry, he is certainly on in the director's costume. The remarkable thing about thare zameen par is that there is not even a single scene in which we can see the lack of experience in both these films. I am wishing these directors a very good luck in the future and hoping from the society that it give some class directors who instead of mashing potatoes be creative in what they do. Once again Hats off to you Amir and Amir. Well to comment on a debut is usually so easy. There was a stage in bollywood where people even if they post letters or rather directions to the director they wont take a good film and to see it grow from that gutter of masala’s to the shade of class is truly commentable. But the highly commentable fact is that these changes were not brought by the existing directors who with their typical bollywood themes disagree to get out of chairs, but by the new comers. New comers in the field of direction is an essential movement that should be charged on. Both the films, Amir and Tare Zameen Par, show the content of classy film making which typical bollywood lack. Though amir is not a new comer in the field of film industry, he is certainly on in the director’s costume. The remarkable thing about thare zameen par is that there is not even a single scene in which we can see the lack of experience in both these films.

I am wishing these directors a very good luck in the future and hoping from the society that it give some class directors who instead of mashing potatoes be creative in what they do.

Once again Hats off to you Amir and Amir.

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